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Since Donald Trump got into the presidential race - in a press conference went to by paid stars, where he slandered Mexican immigrants - he has dominated headlines, becoming the unrestrained id at the center of one of the most bizarre and alarming elections in American background. It was not always so. In 1996, longtime New Yorker writer Mark Vocalist was conscripted by his editor to profile Donald Trump. In those days Trump was only Manhattan-centric megalomaniac, a faltering gambling house operator mired in his second divorce and (he said) recovering from the individual bankruptcy proceedings that required him to inventory the contents of his Trump Tower home. Conversing with Trump in his office buildings, apartments, automobiles, and private plane, Vocalist found himself captivated by this man "who got aspired to and achieved the best luxury, an existence unmolested by the rumbling of any soul". In Trump and Me, Vocalist revisits the profile and recounts how its publication lodged inside its subject's head as an long lasting irritant - and exactly how Singer ("A TOTAL LOSER!" according to Trump) cheerfully sustained to bait him. He demonstrates on Trump's evolution from swaggering buffoon to potential hazard to America's ranking as a logical guardian of the world order. Heedlessly combative, equally adept at spewing insults and manipulating crowds at his advertising campaign rallies, the self-proclaimed billionaire has emerged as an unlikely tribune of populist trend. All politics is artifice, and Vocalist marvels at how Trump has transfixed an electorate along with his ultimate feat of performance fine art - a mass political motion only loosely tethered to actuality.