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Utmost Brand (real name: Frederick Faust) had written hundreds of tales, books, movies, and Television shows. His output was so voluminous that though he died in WWII, posthumous literature have been shared about every four months since. This reserve collects three tales from his early on work in American pulps. "Señor Coyote" was initially shared under Frederick Faust's pen name, John Frederick, in two installments in Argosy (6/18/38-6/25/38). It had been the last American short book Faust wrote. It had been fitting that the storyplot was shared in Argosy, since Faust's earliest Western fiction had been sold to All-Story Weekly and the Argosy owned or operated by The Frank A. Munsey Company, which merged both publications on 7/24/20. In this particular history, Frank Pollard, a small-time rancher down on his good luck and owing the bank $500, looks to his famous friend, Slip Liddell, to provide him the amount of money before the banker, Foster, forecloses on his ranch. Liddell refuses to pay Foster even for his friend. Pollard threatens to do something positive about it, and then the loan provider is robbed and Foster shot. Will Liddell help when his friend is accused of the offense? Only two years into his publishing relationship with Streets & Smith, which was almost exclusive between 1921 and 1932, Faust was asked to add two Christmas tales to magazines the business shared. The first was to Detective Tale Journal - "A Holiday Encounter" (12/23/22), under his Nicholas Metallic pseudonym - and the other was the history that follows, which he titled "THE ENERGY of Prayer". It made an appearance under the John Frederick byline in American Story Journal (12/23/22). In it Gerald Kern embodies a lot of those same qualities of a figure found in several of Faust's Western tales: a gunman who is also a gentleman. "The Remedy of Metallic Cañon", by John Frederick, was the second short book by Faust to surface in Western Story Journal (1/15/21). In Faust's American fiction the hill desert is a country of the creativeness where no man is ever before a hero and no man is ever before a villain, but instead a mixture of both. This certainly demonstrates the truth in this history, where both Lew Carney and Jack Doyle love Mary Hamilton and where we, as listeners, can never know with certitude for whose soul it is that Mary Hamilton weeps. The story's beginning could very well be the most imagistic and at the same time eerie as Faust ever before wrote.
