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Chuck Dutton built Music City Salvage with perseverance and experience, stripping historical properties and reselling their bones. Inventory is operating low, so he's delighted when Augusta Withrow looks in his office offering salvage privileges to her entire property. This may be a yellow metal mine, so he assigns his little girl, Dahlia, to professionally oversee the project. The crew sees a handful of surprises immediately. Firstly, the place is at unexpectedly very good condition. And then there's the cemetery, about 30 fallen and overgrown graves going out with to the first 1900s. Augusta insists that the cemetery is just a imitation, a Halloween prank, so the location gives the go-ahead, the bulldozer revs up - and it arises human remains. Augusta says she doesn't know whose body it is or just how many others might be there and won't answer any longer questions. Then she halts answering the phone. But Dahlia's concerns about the corpse and Augusta's disappearance are overshadowed when she starts to understand that she and her staff are not exclusively, and they're not welcome at the Withrow property. They do not know how much risk they're in, but they're beginning to get a concept. Around the crew's third nights inside your home, a surprise shuts down the sole road to the house. The power goes out. Cell signals are iffy. There's nowhere to visit and nobody Dahlia can demand help, even if anyone would believe that she and her staff are being stalked by way of a murderous phantom. Something at the Withrow mansion is upset and lost, which is its previous chance to raise hell prior to the house is fully gone forever. And it appears to be seeking long term company. The Family Story is a haunted house story for the ages - atmospheric, daunting, and unusual, with a modern Gothic sensibility to keep it fresh and interesting - from Cherie Priest, a modern get better at of supernatural fiction.