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"Mosley creates with great ability here about designs that contain permeated his work: institutional racism, political corruption, and the techniques both of these issues have an effect on not only world at large but also the interior lives of individual men and women." (Booklist, starred review) Joe King Oliver was one of the NYPD's finest researchers, until, dispatched to arrest a well-heeled car thief, he is framed for assault by his opponents within the NYPD, a demand which lands him in solitary at Rikers Island. Ten years later, King is an exclusive detective, working his agency by using his teenage child, Aja-Denise. Busted by the brutality he experienced and determined in equal strategy while behind pubs, his work and his child are the only light in his solitary life. When he will get a card in the email from the girl who admits she was paid to frame him those years back, King realizes that he does not have any choice but to take his own case: determining who on the drive wanted him disposed of - and why. Working in parallel with King's own quest for justice is the truth of a Black color radical journalist accused of killing two on-duty cops who was simply abusing their badges to traffic in drugs and women within the city's poorest neighborhoods. Joined up with by Melquarth Frost, an excellent sociopath, our hero must defeat grubby cops and dirtier bankers, craven attorneys, and most importantly keep his child definately not the underworld in which he works. All the while, two lives hang up in the balance: King's client's, and King's own.
