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"She sings jumping and dancing, her fists alternately clenching and breaking open to clap; the edges of her marvelous oral cavity turning down in the fierceness of happiness breaking through anguish; her hair covering her sight until swept back again with a meaty side. In great shouts that send her strings of beads flying and knot her face into grimaces, the vitality explodes and explodes again, mailing out waves of electro-mechanical enjoyment. Some say she can sing several note at the same time; maybe, but will it matter? In her every note there are infinite meanings." As the sixties come to an in depth, Michael Lydon practices Janis Joplin - yearly before her fatality - illuminating the icon's unapologetic, all-out lifestyle, her utter vitality and, above all, her intoxicating, shape-shifting devotion to feeling. Every Moment SHE ACTUALLY IS What She Feels was formerly printed in the New York Times Journal, Feb 23, 1969.