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All Denny Malone needs is to be a good cop. He's the ruler of Manhattan North, a highly furnished NYPD detective sergeant and the true innovator of "Da Push." Malone and his staff will be the smartest, the toughest, the quickest, the bravest, and the baddest, at the very top product given unrestricted power to wage battle on gangs, drugs, and weapons. Each day and every evening for the eighteen years he's allocated to the work, Malone has served on the front lines, witnessing the harm, the deceased, the patients, the perps. He's done whatever needs doing to provide and protect in a city built by ambition and corruption, where no one is clean-including Malone himself. What only a few know is the fact Denny Malone is grubby: he and his lovers have stolen millions of dollars in drugs and cash in the wake of the biggest heroin bust in the city's record. Now Malone is captured in a trap and being squeezed by the feds, and he must walk the slim lines between betraying his brothers and lovers, the work, his family, and the girl he loves, endeavoring to survive, body and heart, while the location teeters on the brink of your racial conflagration which could destroy all of them. The Push is a haunting story of greed and assault, inequality and competition, criminal offenses and injustice, retribution and redemption that reveals the relatively insurmountable tensions between the police and the diverse individuals they provide. A searing portrait of your city and a courageous, heroic, and deeply flawed man who stands at the advantage of its abyss, this is a masterpiece of urban realism full of surprising twists, leavened by flashes of dark humor, a morally complicated and utterly riveting dissection of modern American world and the controversial issues confronting us today.