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"Mirror, reflection on the wall structure," the old joke says. "I am my mom in the end." But which? Blessed in 1938 and used soon after, Kate Foley was raised in London during WWII. The Don't Touch Garden explores what it is usually to be used, both for the child and the adoptive parents, through a variety of poetic styles and complex feelings. An absorbing bank account of the legacy to be an used child. Forthright and sensitive, this moving series demonstrates Foley's unflinching gaze in to the reflection in a sometimes excoriating attempt to discern traces of her belonging and also to make peacefulness with the past. Pleasure Howard, poet, publisher and former fostering services director.