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Two time intervals―Victorian Ireland and modern day Great britain―are again woven mutually in this sequel to The Oak Leaves. Rebecca Seabrooke is a commercial director for Quentin Hollinworth's family manor and is targeted on two things: jogging the best historical home in the country and forgetting about the child years crush she's got on Quentin since her father worked as the valet for his family. They don't, in the end, run in the same public circles. When Quentin's distant cousin Dana Martin Walker involves go to the Hollinworth property, Rebecca realizes she must confront a few of her preconceived ideas about herself . . . and about Quentin. Dana wishes to find out more about her ancestors―especially about Berrie Hamilton, who in 1852 decided to gratify her sister-in-law's dream of opening a institution for the psychologically challenged. Dana also discovers that, despite their precautions, she and her hubby expect, and their unborn child may turn out to be like many of Berrie's students. It will take reading Berrie's characters―written a hundred years previously―for Dana and Rebecca to learn the value of offering others and to realize that in the long run, even our best-laid plans are not always God's plans.
