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Merging the best of modern forensic thrillers with the theatre of middle ages fiction, New York Times?bestselling publisher Ariana Franklin dividends with the third title in the Mistress of the Artwork of Loss of life series.
England, 1176. Beautiful, tranquil Glastonbury Abbey? one of England?s holiest sites, and assumed by some to be Ruler Arthur?s sacred Isle of Avalon?has been burnt almost to the bottom. The arsonist remains at large, but the flame has uncovered something even more stunning: two hidden skeletons, a man and a female. The skeletons? level and time send rumors flying?are the remains those of Arthur and Guinevere?
Ruler Henry II hope so. Struggling to put down a rebellion in Wales, where in fact the legend of Celtic savior Arthur is particularly strong, Henry wants definitive proof that the bones are Arthur?s. If the rebels are sure that the Once and Future Ruler will not be coming with their aid, Henry can stamp out the insurgence once and for all. He calls on Adelia Aguilar, Mistress of the Artwork of Death, to examine the bones.
Henry?s summons comes not really a moment too early, for Adelia has worn out her welcome in Cambridge. As word of her therapeutic powers has disperse, so have gossips of witchcraft. So Adelia and her household drive to Glastonbury, where in fact the investigation into the abbey flame will be overseen by the Church authorities?in cases like this, the Bishop of St. Albans, who happens also to be the father of Adelia?s girl.
