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Suzanne Gossett offers a complete and critical performance history, with an launch showing the way the play's performance history has paralled the criticism. After that it gives an interpretation of the two-generation romance, using its successive male and female central characters, predicated on a reading 'through the family', and influenced by the feminist and new historicist criticism of the last two decades. The edition combines cumulative research on Shakespeare's collaborative authorship and the transmitting of the text without rewriting the play or disregarding years of emendations.