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Bill Trevillian is as ruggedly attractive as he is bold and fearless. Kip Lee is as strikingly beautiful as she is fiery and fearless. And they’ve acquired something in common. They’re both test pilots . . . for rival aviation companies. Put them jointly and, such as a young Tracy and Hepburn, sparks are bound to take a flight.
The Second World Warfare is raging in European countries, and Britain and France want to America for a fighter planes to complement up with the superior Nazi Messerschmitt. Your competition between Bill and Kip is fierce, and the stakes are stratospheric. Because there’s an extra element in the combination: a fatal saboteur.
People say all’s fair in love and battle, however when there’s Sabotage in the Sky, the flight path from heated rivalry to heated romance could lead Bill and Kip to crash and shed.
“If you crave air experience compiled by an airman who knows what a hot planes can do, don’t neglect Sabotage in the Sky,” composed the editor presenting the storyline in 1940. And Hubbard’s knowledge proved prophetic—unknown to the FBI, the German intellect service, the Abwehr, was positively gathering intellect about American armed forces aeroplanes designs and developing. The writer also experienced personal aviation experience, getting a reputation as a daredevil pilot barnstorming over the United States, landing in farmer’s fields and skimming over the top of telephone cables—experience he put to good use as a well-known aviation correspondent and one of the most attained freelance writers of aviation experience.
