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Nabokov's fourth book, The Vision is as much a farcical detective history as it is a profoundly refractive tale about the vicissitudes of identities and looks. Smurov, a lovelorn, excruciatingly self-conscious Russian émigré surviving in pre-war Berlin, commits suicide after being humiliated by way of a jealous husband, and then suffer sustained indignities in the afterlife as he looks for proof his presence among fellow émigrés who are too distracted to pay him any heed.