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Leonid McGill is back, in the third-and most enthralling and ambitious-installment in Walter Mosley's latest New York Times best-selling series. The overall economy has struck the private-investigator business hard, even for the detective specified as "a more than deserving successor to Philip Marlowe" (The Boston Earth) and "the perfect heir to Easy Rawlins" (Toronto Earth and Email). Lately, Leonid McGill is getting job offers only from the bad guys he's worked so difficult to leave behind. Meanwhile, his life develops a lot more complicated: his favorite stepson, Twill, drops out of university for mysteriously profitable pursuits; his closest friend, Gordo, is identified as having cancer which is living on Leonid's sofa; his wife takes a new enthusiast, infuriating the old one and endangering the McGill family; and Leonid's girl, Aura, is back but intention on some serious discussions.... So how can he say no to the stunning young female who walks into his office with a collection of cash? She's an musician, she explains to him, who's escaped from poverty via relationship to a rich collector who maintains her over a stipend. But she says she doubts on her behalf life, and needs Leonid's help. Though Leonid is aware of better than to trust every word, this isn't employment he are able to turn away, even while he senses that - if his family's misadventures don't get rid of him first - sorting out the woman's crooked tale provides him right to death's door.
