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Margot detests shopping malls. Any distraction is welcome, and the woman who has chained herself to the escalator, shouting about the perils of consumerism, is obviously that. She recognises Dot immediately - of their campaigning days, and further back still, to when Margot committed Laurence. Dot is despair at the abandonment of the sisterhood, at the idea of pole dancing as empowerment and the vision of five-year-olds with incorrect eyelashes and cushioned bras. She's still a fierce campaigner, but she isn't sure where to direct her trend. Meanwhile Margot contains a haunting resentment that her more youthful ambitions have always been shelved to wait to the needs of others. So that as the two women utilize the past for solutions for future years, Margot's family is in turmoil. Laurence moves in a bid to repress his grief, little princess Lexie manages to lose her job after two decades, and her youthful sister Emma hides her pain with shopping binges.

Category: Literature & Fiction