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The author primarily designed to call this book The Lyrical Time. The lyrical get older, relating to Kundera, is young ones, and this book, above all, is an epic of adolescence; an ironic epic that tenderly erodes sacrosanct worth: childhood, motherhood, trend, and even poetry. Jaromil is in fact a poet. His mother made him a poet and accompanies him (figuratively) to his love bed and (basically) to his deathbed. A ridiculous and touching character, horrifying and totally innocent ("innocence using its bloody look!"), Jaromil reaches once a genuine poet. He's no creep, he's Rimbaud - Rimbaud entrapped by the communist trend, entrapped in a somber farce.