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No one skewers the popular activities of American culture like Tom Wolfe. In 1975, he switched his satirical pen to the pretensions of the contemporary fine art world - an environment of communal climbing, elitist posturing, and ingeniously absurd self-justifying theorizing. From the fuliginous flatness of the 50s to the pop op minimal 60s, directly on through the now-you-see-it-now-you-don't 70s, Tom Wolfe debunks the great American myth of modern fine art within an incandescent, entertaining, and devastating blast.
