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When Melissa Francis was eight yrs . old, she won the role of lifetime: playing Cassandra Cooper Ingalls, the little girl who was simply adopted with her brother (played by young Jason Bateman) by the Ingalls family on the world's most well-known prime-time soap opera, Little House on the Prairie. Despite her age group, she was already a veteran actress, living a charmed life, moving from one Hollywood set to another. But behind the scenes, her success was fueled by the take great pride in, pressure, and sometimes milling cruelty of her stage mother. While Melissa thrived under pressure, her older sister - who acquired tried her hand at behaving and shrank from the limelight - was often disregarded by their mother in a shadow of overlook and disappointment. Tiffany could do nothing to please her mother, but it wasn't until after Melissa acquired graduated from Harvard School with a degree in economics, found love, and married that Tiffany's personal problems culminated in a life-and-death turmoil. When Melissa recognized the role her mother continued to play in her sister's unpredictable manner, she resolved to end the manic, abusive circuit once and for all. Diary of a Stage Mother's Girl is a fascinating bill of life as a child legend in the 1980s, and also a disquieting story of a family group under the good care of an extremely neurotic, dangerously competitive "tiger mother". But perhaps most of all, now that Melissa has two sons of her own, from the yoga on motherhood. She asks the questions so many of us ask ourselves: How hard in the event you push a child to succeed, and at what point will your help become harm?
