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Some nights, we've the road to ourselves and the air sings only for us. We play our shows and tear ass out. Tonight, it was this little dive bar in a town we got to dialling East Motherless. But we play, no subject. We rock and then we spin. The soundcheck and the fury, the power chord and the glory. Then we fill our products into a muddy-brown Merc with a little trailer behind, and we're off. Slinging gravel, filling up sky with street. All his life, Luther Gaunt has observed tunes in his head, songs of lovely bad and blue ruckus, odes to spirits, drinking hymns. In search of his past, he hits the road with his group, the OVER Daddies, and his grandfather's cursed electric guitar, Cassie.While his bandmates would like to make it big when they get to Memphis, Luther retraces the steps of his dad and grandfather, who each made the same trip with the same electric guitar years previously. Malcolm Gaunt could have been - Elvis that white man who could sing dark-colored - except his rounder's ways got him shot before he could attack that first take note for Sam Phillips at Sun Information. At least that's what Luther's dad, Malcolm's son, always told him before he made like smoking when fame came up calling and vanished down South, too. As Luther discovers the reality about the two generations of musicians that came up before him, he must face the spirits of history, the temptations of the road, and the fame cravings of a seriously treacherous girl called Delia, who, it turns out, can sing like an angel forsaken. Long Gone Daddies is lyrically written and accessible as a hook-filled melody and demonstrates that the people who struggle the the majority are invariably the most interesting - and the most noble whether they succeed or not.
