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The best-selling writer of The Martian profits with an irresistible new near-future thriller - a heist report establish on the moon. Jazz Bashara is a unlawful. Well, sort of. Life on Artemis, the first in support of city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the casual harmless bit of contraband barely counts, right? Not when you've got debt to pay and your job as a porter barely covers the hire. Everything changes when Jazz perceives the opportunity to commit the perfect criminal offense, with a reward too lucrative to turn down. But pulling off the impossible is just the beginning of her problems, as she learns that she's stepped square into a conspiracy for control of Artemis itself - and this now her only chance at survival lies in a gambit even riskier than the first. Bringing to life Weir's brash, whip-smart protagonist is celebrity Rosario Dawson (Marvel's The Defenders, Sin City, Death Proof). Along with the breathless immediacy of one realizing they're one damaged helmet visor from oblivion, Dawson deftly captures Jazz's first-person point of view - all while delivering sarcastic Weir-ian one-liners and breaking wise when confronted with fatality. And with a solid of diverse characters from all strolls of life getting in touch with Artemis home, Dawson tonally somersaults to voice Kenyan best ministers, Ukrainian researchers, and Saudi welders. From the performance that transports listeners right along with Jazz, complementing her step for step on every lunar inch of her pulse-pounding journey.

Category: Suspense