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Harriet is departing her sweetheart Claude, "the French rat". That at least is how Harriet sees things, even if it's Claude that has just asked Harriet to leave his Greenwich Village apartment. Well, some way she has no intent of leaving. Towards the contrary, she will stay and exact revenge - or would have if Claude hadn't experienced her unceremoniously evicted. Still, though migrated out, Harriet is not about to go forward. Not at all. Girlfriends group around to patronize and advise, but Harriet only requires offense, and it's really easy to comprehend why. Because mad and maddening as she may be, Harriet sees past the polite platitudes that everyone else is content to spout and live by. She is an unblinkered, unbuttoned, unrelenting, and above all bitingly funny prophetess of most that is wrong with women's lives and hearts - until, in a surprise twist, she confirms a savior in a dark room at the Chelsea Hotel.
