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Welcome to Killer GreenQuentin Tarantino satisfies Smokey & The Bandit in this noir, science-fiction thriller. Sometimes, people just need killing. When Sam Western wanders in to the Sunny-Side-Up Diner for the last time, hoping for a last slice of Mort's world-class pie, and one previous take a look at a waitress named Delilah, he does not have any idea he's about to become the device of any great, kharmic cleansing. The thing crazier than the seemingly inevitable path of bodies following Sam and Delilah south is the actual fact that - as Condition Authorities and local sheriffs start to investigate - they find no data. Nothing. Plus the missing body are just the beginning, as an improbable group of companions are attracted along in a technological experiment more in line with the TV Series Fringe than anything in reality, with the risk of alien probes, local police, and rednecks around every corner. Killer Green started out life as a joking talk on Twitter. It became a occurrence - was written into a screenpaly - distributed on the Internet, optioned by the development company, and goes on it's interpersonal media-born spin toward the Mexican boundary. It's ecologically relevant. It's best for the environment. From the novel you won't ignore, that will leave you laughing and keep your focus on the final word. Wouldn't you rather be green? David Niall Wilson, writer of The DeChance Chronicles, Sins of the Adobe flash, That is My Blood, On the Third Day, plus more than thirty other literature is a previous leader of the Horror Writer's of America, multiple victor of the Bram Stoker Prize, an ordained minister in the Common Life Church, and nearly as crazy as his people.
