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Marriage is showing anything but lifeless for Commander John Coffin, keeper of the tranquility in London's Second City. With grande dame of the level Stella Pinero in his life, Coffin's days lack no drama. When the drape boils down on opening night in Stella's recently transformed theatre, Joe and Josie Macintosh are located stabbed to death in their theatre box. A inquisitive note left next to their bodies shows that Joe and Josie Macintosh have carried out a suicide pact. But the couple's double suicide follows meticulously on the pumps of an unexpected visitor from Coffin's past: Inspector Harry Trent. Coffin worked with Trent years ago, and now Trent is searching for his similar twin sibling - an unhealthy man; a man who might curently have killed a woman; a man Trent fears might have threatened assault to the Macintoshes, the couple who fostered the twins as children. Coffin quickly realizes that the illusions of the theatre mean that there is nothing as it seems; such is the truth in the Macintoshes' obvious suicide. As Coffin investigates the couple's death, he discovers he must find not only their killer but also their true identities. And then there is the prolonged, looming question: Who is Harry Trent and what is he capable of doing? The solution lies in the past - bizarre, terrifying, and horribly real. . .Coffin will find Stella's understanding of the theatre indispensable if he's to resolve this secret of Jekylls and Hydes on both factors of the footlights.