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With its bold depiction of four feminine friends navigating the pitfalls of Manhattan's going out with scene, Intimacy and the City, which shown on HBO from 1998 to 2004, was a distinctive television play that advanced into a ubiquitous and widely debated cultural trend. Deborah Jermyn's Intimacy and the City investigates the program's critical and popular success as well as its enduring cultural impact. To provide listeners a complete picture of Intimacy and the City, Jermyn draws on close textual analysis of selected shows, existing critical work on this program, testimonies from its stars and suppliers, and intertextual information which range from the Intimacy and the City bus head to to fan tutorials and websites. In this particular quantity Jermyn explores the show's individuals, its careful common balance of humor and play, its mixture of both dream and realism, and its commitment to the intricacies of women's friendships. Jermyn notes that throughout its six conditions Intimacy and the City surfaced as some sort of controversial shorthand to explore the zeitgeist among a technology of post-feminist TV audiences, every week considering issues bordering femininity, feminism, sexuality, consumerism, and women's lifestyle choices. Jermyn argues that, in short, Intimacy and the City's success and wider ethnic impact request us not simply to analyze the particular accomplishments of its writing, design, and performances but to recognize the contribution and value that television set can have on open public controversy and life outside "the box". Using the 2008 release of an full-length - and long-awaited - feature film version of Intimacy and the City, the series demonstrates itself once more to be well-timed and relevant. Followers of the series as well as scholars of television set history will love Jermyn's insightful study.
