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For patriots like Billy Sinclair, the Iraq Warfare began on 9/11. He is primed to eliminate in the backwoods of Montana, hunting with his friend, Pete, under the tutelage of his grandfather, a decorated World Warfare II veteran. When they eliminate their first deer, Grandpa smears its bloodstream on their faces honoring Pete's great-great-grandfather, a Sioux scout who corralled the first untamed horses bearing the Sinclair brand. A far more sublime boyhood is unimaginable, a far more tragic adolescence unthinkable. Nobody sees it approaching. Pete's inexplicable suicide steels Sinclair's take care of to join the marines. The moral certainty of the war on terror fills the void kept by his best friend's loss of life. But Sinclair's trust falters when his platoon is pressured to attack equivocal focuses on in Fallujah: mosques, cemeteries, and countless homes. Urban combat is troublesome enough without having to be haunted by the specters of defenseless women, let alone children. Sinclair summons his training, holding his doubts away until a suicide bomber triggers flashbacks to the role he unwittingly enjoyed in Pete's loss of life. His own success will ultimately depend on handling the riddle posed by both of these suicides - mirror images of self-destructive compulsions at home and in another country.
