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The Hunter from the Woods grades the much-anticipated come back of Michael Gallatin, the lycanthropic hero of Robert McCammon's 1989 typical, The Wolf's Hour. These all-new, interlinked experiences give a full way of measuring McCammon's trademark narrative enjoyment, and comprise a fascinating composite portrait of a unique fictional creation. The quantity opens with a set of brief glimpses into Michael's early on life in Russia and his original recruitment into the British Key Service. It ends with a haunting eyesight of the werewolf at twilight. Among, McCammon gives us three stellar novellas depicting different stages of Michael's long, brutal warfare against Nazi Germany. "Sea Chase" is a nautical story about the dangers of transporting a defecting German scientist to a place of sanctuary in Britain. "The Wolf and the Eagle" is the consideration of an improbable camaraderie between rival "men of action" and a harrowing portrayal of a lethal forced march through the North African desert. "The Room in the bottom of the Stairs" instructs of an impossible, finally tragic romance set in the embattled city of Berlin through the latter levels of the warfare. Erotic, visceral, and filled with moments of desolating horror and surprising ambiance, The Hunter from the Woods is a triumph of imaginative storytelling. Like the best of McCammon's early work, it offers smart, world-class entertainment. In the process, it shines a pleasant new light using one of the most unusual heroes in contemporary fiction.
