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Rational Scrutiny: Paradoxes and Contradictions in Detective Fiction talks about why Chess Hanrahan and Cyrus Skeen, the author's top heroes and the principle subjects of the volume, are not only astonishing men of action, but "intellectuals" of the first get ranking, as well. As Cline creates in the Preface, detective fiction, as a rule, utilizes both "intellectuals" and "doers". Detectives solve problems; detectives usually do something positive about them. Problems cannot be solved until they can be grasped, recognized, and counter actions are identified. Within the enigma and detective fiction genres, detectives solve issues that are legal in nature. Offences are a consequence of human volition; it is the detective's task to resolve them. The issues must first happen prior to the detective can react. He does not act in vacuum pressure. He cannot "prevent" problems triggered by others, or of which he is not yet aware, because they're products of individual volition. Hanrahan, functioning inside our own time, and Skeen, performing in the 3rd ten years of the 20th century, have their own way of getting close crime-solving. Paradoxes do not can be found in character, they notice, nor as long as they can be found in men's lives, beliefs, and actions. Along the way, Cline refutes the normal literary notion that among the better fictional detectives before weren't "intellectuals" in his article, "The Wizards of Disambiguation," a critique of the post-modern, deconstructionist college of criticism. He concludes that Skeen and Hanrahan "only partially conform" to Raymond Chandler's information of an ideal detective, except that all abhors "a exciting sense of the grotesque", can exhibit a quick however, not automatically "rude" wit, and harbors a disgust for sham and a contempt for pettiness. And neither is tarnished nor afraid.