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Heading to New Orleans is the storyplot of Lewis Ruler, a jazz trumpet player who lands a gig in the Big Easy. Ruler is a genius on cornet, but his private life is psychologically, morally, and financially bankrupt. He's a heavy drinker and compulsive erotic manipulator, prone to paranoid fits of violent rage. His sweetheart, Ms Sugarlicq, can't keep her slacks on. But as similarly deviant erotic predators and jealous hypocrites, they're perfect for every other... Heading to New Orleans is a fantastic and visual first-person narrative that functions as a surreal-but-faithful guide to the music, food, record, and literature of New Orleans. A religious book, and a dirty one. Tom Snyder, The Georgia Right, had written: "If catalogs experienced bloodlines, Heading to New Orleans would be a cousin to both Michael Ondaatje's Approaching Through Slaughter and Tom Walmsley's Doctor Tin, and a bastard grandchild of Georges Bataille's The Storyline of the Eyesight. Like Slaughter, the protagonist is a horn player with a dark side, New Orleans in every its voodoo glory is a central identity, and the terminology is evocative and free. Much like Tin and Eyesight, the all-pervasive sexuality is transgressive, perverse, algolagnic, and disturbingly captivating, like seeing a car wrecked after operating the red-light district." The subtitled, A Dirty Reserve, underplays the gender and violence, spontaneous, public, and often anonymous, that carefully permiates this book.