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A coming-of-age memoir by way of a Colombian-Cuban girl about shaping lessons from home into a new, queer life. In this particular lyrical, coming-of-age memoir, Daisy Hernandez chronicles what the ladies in her Cuban-Colombian family taught her about love, money, and contest. Her mom warns her about envidia and men who seduce you with pastries, while one ta bemoans that her niece is turning out to be "una india" rather than an American. Another auntie instructs that whenever two people are close, these are bound to be like ua y mugre, fingernails and mud, and this no, Daisy's daddy is not godless. He's simply praying to a candy dish that may be traced back again to Africa. These lessons - rooted in women's activities of migration, colonization, y cario - define in evocative aspect what this means to expand up female within an immigrant home. In a single story, Daisy pieces out to defy the dictates of contest and category that preoccupy her mom and tas, but going out with women and transmen, and arriving to recognize as bisexual, leads her to sudden questions. In another piece, NAFTA shuts local factories in her hometown on the outskirts of New York City, and she begins translating unemployment forms on her behalf parents, moving between British and Spanish, as well as private and collective fears. In prose that is both memoir and commentary, Daisy displays on confirming for the New York Times as the paper is rocked by the largest plagiarism scandal in its background and plunged into debates about the role of contest in the newsroom. A heartfelt exploration of family, identity, and words, A Cup of Water Under My Foundation is finally a daughter's account of finding herself and her community, and of creating a new, queer life.