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Noreen McAuliffe's Come Down in the World, a tale in regards to a nineteenth-century logging camp, wears a method so smooth and perfectly matched up it feels tailor-made. From first few lines to the silently explosive finale, the listener is bounded with instant authenticity that transports us to a period, place, and situation with stakes so high that almost all of us need a daring writer to assume them for us. In the span of a tale, the listener feels a novel's value of atmosphere, urgency, and assurance, and meets personas unveiled with such perfection, you may question if you have dreamt of these before. Julia Fierro, author of Cutting Pearly whites