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Warmer summer months in Venice is brutal, and heat is starting to drive the folks of this tranquil city mad. A woman storms in to the galleries at the Biennale art good and slashes a painting with a blade. A young gal is available raped and murdered in her own foundation. And a model called Flavia Brollo looks at the house of Urbino Macintyre's closest friend, the Contessa da Capo-Zendrini, to declare that she actually is the noblewoman's illegitimate princess. It is an outrageous declaration, and it will signify the contessa's doom. When Flavia is available floating in the canal, Macintyre dedicates himself to locating the individual who murdered this poor, disturbed female. His queries lead him back again to the Biennale, where in fact the art world's most powerful information congregate to buy, sell, and indulge their darkest wants. Before the good is over, Macintyre will quickly realize that even murder can be considered a work of art.
