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What became of magic on the planet? Who needed to get rid of it, as well as for what reasons? Sketching on myth, tale, fairy stories, and biblical mysteries, The Last Days and nights of Magic brilliantly imagines answers to these questions, sweeping us back again to a world where humans and magical beings coexist as they had for centuries. Aisling, a goddess in individuals form, was born to rule both domains and - with her twin, Anya - unite the Celts with the powerful faeries of the Middle Kingdom. But within middle ages Ireland, passions are divided, and definately not its shores better makes are mustering. Both England and Rome have stakes in traveling magic from the Emerald Isle. Jordan, the Vatican commander tasked with vanquishing the remnants of otherworldly animals from a disenchanted European countries, has built a job on such plots. But increasingly he confirms himself torn between duty and his desire to understand the magic that is forbidden. As kings put together, exorcists accumulate, and divisions broaden between your warring clans of Ireland, Aisling and Jordan must come to conditions with power given and withheld while a world that can still foster magic hangs in the total amount. Loyalties are tested, betrayals sown, and the approaching conflict will have repercussions that ripple generations later, in today's world - and in particular for a young graduate student known as Sara Hill. The Last Days and nights of Magic introduces us to unforgettable heroes who grapple with quests for power, individuals frailty, and the desiring knowledge that is made taboo. Mark Tompkins has constructed a remarkable story - a feat of world-building that poses amazing and resonant answers to epic questions.
