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Grounded after having a rescue look at in Globe orbit should go bad, Commander Martin Atkins of the Confederation Navy is contacted by the Interscission Project, a consortium of civilian corporations on the verge of perfecting the technology to go to another celebrity. Despite his misgivings, the opportunity to get back in the pilot's chair is a great deal to pass up, and he convinces his closest friend and crewmate, Charles Davenport, to leave the military services temporarily and join him within the crew of the Zenith, humanity's first starship. Edward Harlen is a brilliant young engineer, and a key player in the development of the Zenith to have benefit of the untested technology of foldspace drive. But Edward has his own plan in becoming a member of the project, and a bitterly personal credit score to settle with his supervisor, Trevor Sutton, a vendetta which Trevor is totally ignorant. But when Edward's sister Stella enters the picture and manages to secure a posture on the project, all of Edward's careful plotting is upset, and she might spell the downfall not only of his plans for revenge, but of the complete Zenith objective. The spark of appeal between Edward and Martin is a problem that Edward can't manage, but which he can't let go. For Edward is aware of the secret at the heart of the Interscission Project, the hidden probable of the technology that in the wrong hands could become the ultimate assassin's tool: the capability to rewrite history, not simply once, but many times. As an unseen opponent moves to destroy them, and the body count number multiplies in their wake, Martin and Edward must choose if they allows the likelihood of like to challenge their destinies, or will they instead take up biceps and triceps in a warfare to regulate the most ancient and terrible power in the world? Time, itself.