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With the cunning of Gone Female's Amy Dunne, so when dangerous as The Female with the Dragon Tattoo's Lisbeth Salander, the femme fatale of the Talented Mr. Ripley-esque internal thriller is naughty, smart, and very, very bad in every the best ways. By day, Judith Rashleigh is a put-upon assistant at a renowned London fine art house. By evening, she's a hostess at one of the capital's notorious champagne pubs, although her work there pales against her activities on nights off. To get what she needs Desperate to make something of herself, Judith is aware she has that can be played the overall game. She's transformed her accent and taught herself about wine beverage and the right use of a dessert fork, not forgetting the fine art of discretion. She's learned to be a good girl. However when Judith is fired for uncovering a dark solution at the heart of the fine art world - and her genuine efforts at a better life are damaged - she converts to a long-neglected good friend. A pal who kept her chin up and back direct through every moderate: rage. She will mix every line Feeling reckless, she accompanies one of the champagne bar's biggest clients to the French Riviera, and then find herself together again after having a fatal accident. Sick and tired of trying and the gradual crawl to the very best, Judith has a realization: If you need to flip yourself into another person, loneliness is an excellent location to start. And she's been lonely quite a while. Maestra is a gorgeous, ferocious thriller and the beginning of a razor-sharp trilogy that presents the darkly irresistible Judith Rashleigh, a femme fatale for the ages whose vulnerability and ruthlessness will keep you guessing before last minute.
