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A son learns more about his daddy than he ever could have thought when a mysterious piece of art is unexpectedly restored to him After receiving an unexpected call from the Australian consulate, Matt Santos becomes aware of a painting that he believes was looted from his family in Hungary through the Second World Battle. To recover the painting, he must repair his strained romantic relationship along with his harshly judgmental daddy, uncover his family history, and restore his connection to his own Judaism. On the way to illuminating the mysteries of his earlier, Matt is torn between his doting girl, Tracy, and his appealing law firm, Rachel, with whom he moves to Budapest to unearth the truth about the painting and, in turn, his family. As his quest advances, Matt's revelations are associated with equally consuming and imaginative meditations on the painting and the painter at the center of his personal drama, Budapest Street World by Ervin Kálmán. By enough time Memento Park extends to its summary, Matt's narrative is really as much about family history and father-son dynamics as it is approximately the nature of fine art itself and the infinite ways we come to understand ourselves through it. Of all the questions asked by Tag Sarvas' Memento Park - about family and personality, about fine art and record - a central, unanswerable predicament lingers: How do we progress when the past looms unreasonably large?
